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Production Exercise - MEFT3302
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Faculty: Faculty of Arts and Social Sciences
 
 
School:  School of English, Media and Performing Arts
 
 
Course Outline: See below
 
 
Campus: Kensington Campus
 
 
Career: Undergraduate
 
 
Units of Credit: 6
 
 
EFTSL: 0.125 (more info)
 
 
Contact Hours per Week: 3
 
 
Enrolment Requirements:
 
 
Prerequisite: 72 units of credit overall or 24 uoc in DANC courses; Excluded: THST2135
 
 
Equivalent: THST2135
 
 
Fee Band: 1 (more info)
 
 
Further Information: See Class Timetable
 
 

Description

Practical work on a theatrical presentation within the School aimed at providing direct experience of the production process and its evaluation.

Note: Before enrolling in this course students must study the detailed course outline available from the Io Myers Studio and complete a Production Selection Form. Students should note that rehearsals will commence four weeks before the beginning of Session, and they must be available in the evenings for technical rehearsals in Week 1 of Session and for the performances in Week 2.


Learning Outcomes

  • Engage usefully in research methodologies in the rehearsal room
  • Negotiate the complex group dynamics to enable student's own and others' fruitful participation in a creative process
  • Distinguish and select appropriate performance styles and genres in relation to the project's intentions
  • Develop acute sensory awareness as a resource in performance, performance making in support of performance presence
  • Develop and place a range of registers of the spoken word
  • Begin to differentiate elements of student's own sensibility and aesthetic and find ways to draw on and express that view
  • Make informed decisions about matters of design as it relates to a particular concept
  • Manage the time constraints of a given rehearsal period, making decisions according to available time parameters; adjusting to pragmatics of the given circumstances in relation to the concept; and the economies in which the given aesthetics operate
  • Differentiate supposedly 'personal' aspects of the creative process and the 'use' that can be made of the 'self'
  • Make specific observations within a range of discourses through the development of a strong critical language (see handout on analysis)
  • Demonstrate an active relationship with the various thematic and practical issues arising from the previous coursework experience brought to the project.

Assessment

  • Participation - 50%
  • Logbook - 10%
  • Reflective analysis (2000-2500 words) - 40%

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© The University of New South Wales (CRICOS Provider No.: 00098G), 2004-2011. The information contained in this Handbook is indicative only. While every effort is made to keep this information up-to-date, the University reserves the right to discontinue or vary arrangements, programs and courses at any time without notice and at its discretion. While the University will try to avoid or minimise any inconvenience, changes may also be made to programs, courses and staff after enrolment. The University may also set limits on the number of students in a course.